Monday, 8 December 2014


A Happy Birthday to JENNIE LINDEN who celebrates her birthday today December 8th.... and who fought the good fight against the Daleks with Peter Cushing as Dr Who in 'Dr Who and the Daleks' in 1965

Saturday, 6 December 2014


NEWS: Daleks' Invasion Earth 2150AD Limited Edition Steelbook.

One for your Christmas Stocking maybe?
A very cool edition for anyone's Dr Who / Dalek / Peter Cushing library!

Zavvi have announced an exclusive steelbook for the Peter Cushing movie Daleks' Invasion Earth 2150 A.D. on Blu-Ray. The steelbook will be a limited edition of 2000 and will be released on 15th May 2015. It is available to pre-order from today from Zavvi.

Daleks - Invasion Earth 2150 A.D.
Limited Edition Steelbook
Release date: 15 May 2014

Daleks - Invasion Earth 2150 A.D. directed by Gordon Flemyng, now fully restored and starring Peter Cushing in his return to the big screen as British TV's most iconic sci-fi hero, Doctor Who.

The earth of 2150 AD is a desolate and hostile ruin of a planet, crumbling at the edge of civilisation, slowly disappearing into the darkness of space. For the future of planet earth now belongs The Daleks, a destructive army of alien invaders who have turned the human race into cowering slaves.

Meanwhile deep within the London Underground a group of resistance freedom fighters are planning an attack. But there's only one man who could possibly help them succeed in destroying their extra-terrestrial enemies and take back control of planet earth. A man of mystery, a man of time and space, a man known only as... The Doctor.

Special Features:

Restoring Daleks - Invasion Earth 2150 A.D.
Interview with actor Bernard Cribbins
Interview with author Gareth Owen
Stills Gallery

Friday, 5 December 2014


Wonderful! Sherlock Holmes was to manifest himself once more. The producer, Kevin Francis, had conjured him up and this was to be a film by Holmes buffs, for Holmes buffs. Based on a story by John Elder (the pen name of Hammer films Anthony Hinds), the script by NJ Crips was packed with in-jokes. It also had a number of twists on the traditional style: Holmes is no longer infallible and makes several mistakes, which he admits; Irene Adler reappears, in the person of Anne Baxter, but this time she is a goodie.

Over recent years there have been several versions of the Sherlock saga, plus pitches, new stories, etcetera, etcetera, some very faniciful indeed. Peter Cushing, Sir John Mills and I met for a discussion of the relationship between Holmes and watson. Not surprisngly, we were all of one mind: we had re-read the books and out opinions were based on what we had read.

They were both bachelors of a certain social status. They were both looking for a modest and comforatble set of rooms in a respectable area not too far from the centre of london. They each had a small income which wouldn't run to a suitable place, but if they shared the expenses they would be able to rent such a set, together with a housekeeper, They scrupulously respected each other's territory, using the sitting room as a common ground. It was an exclusively male existance and they became fast friends. In the course of adventures they came to depend on each other. Contrary to the speculations of some latter-day commentators, they were never envinced the slightest in homosexuality. The period of 'The Adventures...' runs from 1881 to 1903, the present story 'The Masks of Death' is set in 1913, with Holmes being dragged out of retirement.

Peter Cushing was one of the best of many actors who played Sherlock Holmes. This was his seventeeth and final bow in the part; he knew the man and understood him perfectly. Johnnie Mills had never played Watson and to my mind, his was the best version ever. It is the devil of a character to convey as a real person. He is usually presented to us a thick-headed stooge to the great man, which of course makes one wonder how Holmes puts up with him - that can't be right. Holmes is the eccentric, imaginative figure, while Watson is down to earth, methodical, practical: after all, he is a doctor of medicine. The two men are complete oppersites but in thier different ways they are equals, or at any rate of equal value to each other. They respect each other. I guarentee that this picture is worth a look just to see this performance. I don't mean to belittle any of the othetr actors, who are all fine: Anne Baxter, Anton Diffing, Gordon Jackson and Ray Milland, all on great form.

The crew was largely a collection of old friends. Anthony Mendleson, the brilliant costume designer and three stalwarts from Hammer films: Make up artist Roy Ashton, editor Chris Barnes and guess who as sound editor - the 'other Roy Baker! Ray Sturgess was the camera operator. We had worked together several times before but this time he was presented with some special problems.

The ruling was that we must use camera equipment from the Pinewood camera dept[artment, which hadn't been used for years! Pinewood had been a wall-to-wall studios for ages. Therefore all visiting crews brought their own gear with them. Anyway the Pinewood stuff was cleaned up and tested but it was old fashioned, which didn't make life easy for Ray. It was due to his efforts that everything worked out well. Brendan Stafford was the lighting cameraman who, like Holmes, had to be  dragged protesting out of retirement to do the film. He enjoyed it , I am sure....

Taken from The Director's Cut
By Roy Ward Baker
Reynolds and Hearn 2000

Images and Design: Marcus Brooks

Wednesday, 3 December 2014


One VERY EXCLUSIVE prize, for ONE lucky PCAS winner! Here's your chance to win this superb 'Curse of Frankenstein' poster artwork by Andrew Swainson. Just follow the details on the banner. Entries by EMAIL PLEASE. GOOD LUCK!
Giclee print produced with archival Ultrachrome inks on superb quality, heavyweight (310gsm) Hahnemuehle German Etching textured fine art paper. Size: Approx 30" x 12" (762mm x 304mm) - making a perfect match to the Dracula print!

Check out the original poster here:
Many thanks to Andrew who has sponsored this pcasuk competition:)


Sunday, 30 November 2014


Peter Cushing as Dr Austin Sloper in the stage play, 'The Heiress' and some pages from his personal script. As always written annotations, pointers and notes here about personal props, costume..some of the items were belonged Peter Cushing himself.

During it's run at the Horseshoe Theatre, Basingstoke from 21st October until November 1st 1975, The Heiress played to full houses. Cushing stated at the time that the few weeks he had spent with the production were the happiest he had experience since Helen's passing in 1971.

Helen Ryan who also starred in the production remembers, 'Peter was wonderful, super in the play, but he was so terribly nervous. The play opened at 7.30pm and Peter would be at the theatre three hours beforehand to check his props and costume!' Before this engagement, Cushing had often stated that his 'legitimate theatre' days, were well behind him...


Hammer films 'Frankenstein and the Monster from Hell' is celebrating it's 40th anniversary this year since it's release in the US and we'll be marking that in style next month. The last of the Hammer / Cushing / Frankenstein series starring Peter Cushing, Shane Briant and.... Madeline Smith.

Madeline Smith was born on 2nd August 1949. She worked as a model in the 1960s, and appeared in many television series, Hammer horror and comedy films from the late 1960s to the early 1980s. Smith was born in Hartfield, Sussex. Her father owned an antiques shop near Kew Gardens, while she had a temporary job working at Biba's boutique, a fashion house in Kensington High Street, London. In the late 1960s and early 1970s, Smith was frequently the subject of cartoons by J Edward Oliver, which made constant admiring reference to her disproportionately large bust. Smith first worked for Hammer films in Taste the Blood of Dracula (1969) as an East End prostitute, a non-speaking role. In 1973 she played the Bond girl Miss Caruso in the post-titles sequence of Live and Let Die, the first James Bond film starring Roger Moore, and The Angel Sarah, in Hammer Films  'Frankenstein and the Monster from Hell  with Peter Cushing and Shane Briant in 1973.

Her television credits include Doctor at Large (1971), The Two Ronnies (appearance in the serial "Hampton Wick" 1971), Clochemerle (1972), His and Hers (1970) with Tim Brooke-Taylor, Casanova '73 (1973) with Leslie Phillips, and The Steam Video Company (1984). She was a member of the regular cast for the BBC2 series The End of the Pier Show (1974) and In The Looking Glass (1978), along with John Wells, John Fortune and Carl Davis. Smith made her last film, Eric Morecambe's final work, The Passionate Pilgrim with Tom Baker, in 1984.

Friday, 28 November 2014


GENERAL MOTTI : Not yet, Sir....

Today we ALL wait! : The first trailer for Star Wars: The Force Awakens is set to be unveiled later. Director JJ Abrams told fans on Twitter they would be given an 88-second glimpse of the new film. The trailer will be shown in selected cinemas in the US and also on iTunes' movie trailer website. The film, which reunites original stars Mark Hamill, Harrison Ford and Carrie Fisher is scheduled to be released in cinemas on 18 December 2015.



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